Images & Observations

Posts tagged “hot

The Dog House

Roadside Americana

Nikon D7000 18-200mm @ 27mm ISO 800 3-bkts f/8 Lr4, Tpz Sim; PsCS6

Hungry, but a hamburger from In-N-Out does not appeal to you, just head next door to Big Daddy’s Fire Grill Pasadena, California  in for wood fired burgers, dogs and sausages.  I recommend the chili dog, a quarter pound hot dog slathered with a full bodied, lightly spiced chile.

To view in high resolution or to purchase this or similar prints please click here: http://goo.gl/DDUfc

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Hot Nings?

Roadside Americana

Nikon D7000 10-24mm @ 24mm ISO 320 1/160 f/16 Lr3, TpzSim; PsCS6

No,  “Hot Wings” is behind the shadow.  Found on Colorado Boulevard in Old Town, Pasadena, California.

To view in high resolution or to purchase this or similar prints please click here: http://goo.gl/DDUfc


Cadillac Dream; Improving Past Performance

Nikon D7000 19-24mm @ 18mm ISO 800 1/1250 f/20 Lr4; PsCS6

One of the most important attributes of Adobe Lightroom is the fact that it is not an image editor, but an image data base application.  Unlike tasks you perform in Adobe Photoshop, which permanently alter files, tasks you perform in Lightroom that are related to editing your image are non-destructive, you are not altering your image, you are simply attaching a series of descriptive attributes to the image file.  No matter what you have done to an image file in Lightroom, you can always return it to its original, raw file state.  This means that Lightroom allows you to travel back in time, and “re-do” any image in the catalog.

This has proven very useful to me as my skill levels have improved over time and my self-critical eye has become more discerning.  The original rendering I made of this image last year used the HDR process, and that processing resulted in a muddy image with no additional dynamic range other than the range of tones that are present in this rendering.  The other outcome of my original HDR rendering produced an incorrect color tone on the body of the Cadillac.  Today’s image was processed in a straight-forward manner, with minimal adjustment to overall exposure, highlight and shadow detail.  Minor boosts in contrast and clarity of the car and a boost in brightness of the chrome and white walls were brushed in.  A virtual copy was made of the entire image and that second image had clarity reduced and was darkened.  The two images were then composited together in Photoshop, producing the bright, sharp foreground image of the car with a subdued background.  I am very happy with the final body color, which to my recollection matches the actual body paint color of the car in life.  Suffice it to say, I am now moving in a steady direction away from HDR processing of my automotive images.

Prints are available at: http://goo.gl/tC10m .


Two Tone Rod #83

Nikon D7000 18-200mm @ 32mm ISO 200 1/320 f/9 Lr4; PsCS6

Some more of the eye candy on display at the Chino Fire Foundation Car & Bike show, May 19, 2012 at The Shoppes in Chino Hills, California.

Prints available here: http://goo.gl/EUV3G


Orange Blossom Special

Nikon D7000 18-200omm @ 29mm ISO 200 1/200 f/10 Lr4; PsCS6

Part of the eye candy on display at the Chino Fire Foundation Car & Bike show, May 19, 2012 at The Shoppes in Chino Hills, California.


A Boy’s Passion Is Born

Nikon D7000 10-24mm @ 19mm ISO 800 3-bkts f/16 Lr3, HEP1; PsCS5

For a change of pace we are back to automotive images in the blog this week.  This image was captured at the Pasadena Police Department Classic Car Show in June of this year.  One of the issues that impacts the images that I capture at these events is the fact that all the cars are so close to each other, it can be  a challenge when you are trying to capture an image of one specific car.  I like to let the viewers of my images appreciate one car at a time.  In quite a few cases I resort to employing post processing techniques, and then the likes of Topaz Simplify and Photoshop, among others, come in to play.

Another element that can be distracting in these scenes is the people usually “loitering” around the vehicles.  Sometimes I try and wait them out to get an unobstructed view, sometimes I find that if I am patient, the people may position themselves where they can become a part of the narrative of the image.  This was one of those times.

To view in high resolution or purchase a print, please click on the image.


Green Hot Rod #272

Car Show Fortnight

Nikon D7000 18-135mm @ 35mm ISO 640 3-bkts f/22 Lr3, HEP1; PsCS5

We begin the wrap up of Car Show Fortnight at the Old Pomona Classic Car & Hot Rod show, in Pomona, California July 2, 2011.  I really dug the tuck and roll upholstery in this rod, but my crude tone mapping does not do it justice.  The cloth top, steering wheel and upholstery all perfectly complimented each other and played well off the shade of green on the body.


Righteous Red Rod

Nikon D7000 18-135mm @ 31mm ISO 640 1/200 f/22 Lr3, PsCS5; TpzSim

All is right in the world for the man or woman who can park their lovingly hand crafted red hot rod next to a shady tree on a hot summer afternoon, pull up some lawn chairs, a cooler of cold beverages, and shoot the breeze with other automotive aficionados.  This scene was captured at the “Old Pomona Hot Rod & Custom Car Show” held at Thomas Plaza just off of Second Street in Pomona, California on July 23, 2011.

This was another one of my painterly exercises achieved using the Topaz Labs Simplify plug-in with Photoshop.  While this rendering is obviously a far cry from a  purist’s concept of a straight documentary photograph, to me it conveys the beauty of the automobile,  and a sense of the person who handcrafted it and a feeling for the time and place where it was displayed on both an analytical and an emotional level.